فطل
as seen in Qur’an 2:265 means مَطَر خَفِيف
You’ll probably never see/hear it in any other context 😉
فطل
as seen in Qur’an 2:265 means مَطَر خَفِيف
You’ll probably never see/hear it in any other context 😉
Just got my Jelly Bean update notification. 🙂
Muhahaha … anscheinend korreliert mangelnde Zeit, über etwas nachzudenken mit “konservativen Ansichten”.
Die Verbindung steht 😉 … am Ende wird sich auch keiner mehr daran erinnern, dass
Aber wer denkt schon so weit … 😛
Arstechnica has a nice piece on how to do science fraud and minimizing the risk of being caught. 😛
Bubble Gum Pop
Music with an intensive taste that fades quickly and will lead to a quick disposal as it is of no lasting value. 😉
Update: There seems to be an Wikipedia article about it. 😀
눈 + 물 = 눈물
(eye + water = tears)
Tipp für ein erfülltes Leben 😉
Einfach nur Sprache studieren und Weise werden!
Aus der Sammlung von meiner Mutter: darin wird sogar noch beschrieben, wie man Stärke herstellt. 😀
Fabien Sanglard has written an interesting drill down into the recently released source code for Doom3. He tries to reason why certain things are the way they are and also had a few of his questions answered by John Carmack himself.
There was news about the source code for the Prince of Persia game on Apple II computers restored from a set of ancient floppy disks. There is also a great quote on why going through the trouble of restoring/releasing the source code of those games is something worthwhile.
“Because if we didn’t, it might have disappeared forever.”
Video game source code is a bit like the sheet music to a piano sonata that’s already been performed and recorded. One might reasonably ask: If you have the recording, what do you need the sheet music for?
You don’t, if all you want is to listen and enjoy the music. But to a pianist performing the piece, or a composer who wants to study it or arrange it for different instruments, the original score is valuable.
It’s possible, up to a point, to reverse-engineer new source code from a published video game, much as a capable musician can transcribe a musical score from listening to a performance. But in both cases, there’s no substitute for the original document as a direct line to the creator’s intentions and work process. As such, it has both practical and historical value, to the small subset of the game-playing/music-listening community that cares.